"Tell me about Lowell Hayden," I said.

Tower liked the conversation even less. "Why? Who the hell is employing who? I want to know your results, and you start asking me questions about professors."

"Whom," I said.

"What?"

"It's whom, who is employing whom? Or is it? Maybe it's a predicate nominative, in which case… "

"Will you come off it, Spenser. I got things to do."

"Me, too," I said. "One of them is to find out about Lowell Hayden. His name has come up a couple of times. He's a known radical. I have it on some authority that he's the most radical on campus. I have it on authority that Powell was pushing heavy drugs and had heavy drug connections. I know Hayden had an early Chaucer class on the morning that Powell was talking to a professor about cutting his early morning class."

"That adds up to zero. Do you know how many professors in this university have eight o'clock classes every day? Who the hell is your authority? I know what's going on on my campus and no one's pushing heroin. I don't say no one's using it, but it's isolated. There's no big supplier. If there were, I'd know."

"Sure you would," I said. "Sure, what I've got about professors and Lowell Hayden adds up to zero, or little more. But he is all I've got for either the murder or the theft. Why not let me think about him? Why not have a look at him? If he's clean, I won't bother him. He probably is clean. But if he isn't… "

"No. Do you have any idea what happens if it gets out that a P.I. in the employ of the university is investigating a member of the university faculty? No, you don't. You couldn't." He closed his eyes in holy dread. "You stick to looking for the manuscript. Stay away from the faculty."

"I don't do piecework, Tower. I take hold of one end of the thread and I keep pulling it in till it's all unraveled. You hired me to find out where the manuscript went. You didn't hire me to run errands. The retainer does not include your telling me how to do my job."

"You'll stay the hell away from Hayden, or you'll be off this campus to stay. I got you hired for this job. I can get you canned just as easy."

"Do that," I said, and walked out. When you have two retainers you get smug and feisty. In the quadrangle I asked a boy in a fringed buckskin jacket where the English Department was. He didn't know. I tried a girl in an ankle-length o.d. military overcoat. She didn't know either. On the third try I got it; first floor, Felton Hall, other end of the campus.

Felton Hall was a converted apartment building, warrened with faculty offices. The main office of the English Department was at the end of the first floor foyer. An outer office with a receptionist/typist and a file cabinet. An inner office with another desk and woman and typewriter, secretary in chief or administrative assistant, or some such, and beyond that, at right angles, the office of the chairman. The receptionist looked like a student. I asked to see the chairman, gave her my card, the one with my name and profession but without the crossed daggers, and sat down in the one straight-backed chair to wait. She gave the card to the woman in the inner office, who did not look like a student and didn't even look one hell of a lot like a woman, and came back studiously uninterested in me.

Somewhere nearby I could hear the rhythm of a mimeograph cranking out somebody's midterm or a reading list for someone's course in Byzantine nature poetry of the third century. I got the same old feeling in my stomach. The one I got as a little kid sitting outside the principal's office.

The office was done in early dorm. There was a travel poster with a picture of the Yugoslav coast stuck with Scotch tape to the wall above the receptionist's desk, the announcement of a new magazine that would pay contributors in free copies of the magazine, the big campy poster of Buster Keaton in The General, and a number of Van Gogh and Gauguin prints apparently cut off a calendar and taped up. It didn't hold a candle to my collection of Ann Sheridan pinups.

The mannish-looking inner-office secretary came to her door.

"Mr. Spenser," she said, "Dr. Vogel will see you now."

I walked through her big office, through two glass doors, and into the chairman's office, which was still bigger. It had apparently once been the dining room of an apartment, which had been divided by a partition so that it seemed almost a round room because of the large bow window that looked out over a recently built slum. In the arch of the bow was a large dark desk. On one wall was a fireplace, the bricks painted a dark red, the hearth clean and cold. There were books all around the office and pen and ink drawings of historical-looking people I didn't recognize. There was a rug on the floor and a chair with arms�Tower had neither.

Dr. Vogel sat behind the desk, slim, medium height, thick curly hair trimmed round, black and gray intermixed, clean-shaven, wearing a black pin-striped double-breasted suit with six buttons, all buttoned, pink shirt with a wide roll collar, a white tie with black and pink stripes, and a diamond ring on the left little finger. Whatever happened to shabby gentility?

"Sit down, Mr. Spenser," he said. I sat. He was looking at my card, holding it neatly by the corners before his stomach with both hands, the way a man looks at a poker hand.

"I don't believe I've ever met a private detective before," he said without looking up. "What do you want?"

"I'm investigating the theft of the Godwulf Manuscript," I said, "and I have only the slightest of suggestions that a member of your department might be involved."

"My department? I doubt that."

"Everyone always doubts things like that."

"I'm not sure the generalization is valid, Mr. Spenser. There must be circles where theft surprises no one, and they must be circles with which you're more familiar than I. Why don't you move in those circles, and not these?"

"Because the circles you're thinking of don't steal illuminated manuscripts, nor do they ransom them for charity, nor do they murder undergraduates in the process."

"Murder?" He liked that about half as well as Tower had.

"A young man, student at this university, was murdered. Another student, a young woman, was involved and stands accused. I think the two crimes are connected."

"Why?"

"I have some slight evidence, but even if I didn't, two major crimes committed at the same university among people belonging to the same end of the political spectrum, and probably the same organization, is at least an unusual occurrence, isn't it?"

"Of course, but we're on the edge of the ghetto here… "

"Nobody involved was a ghetto resident. No one was black. The victim and the accused were upper-middle-class affluent."

"Drugs?"

"Maybe, maybe not. To me it doesn't look like a drug killing."

"How does it look to the police?"

"The police don't belabor the obvious, Dr. Vogel. The most obvious answer is the one they like best. Usually they're right. They don't have time to be subtle. They are very good at juggling five balls, but there are always six in the game, and the more they run the farther behind they get."

"Thus you handle the difficult and intricate problems, Mr. Spenser?"

"I handle the problems I choose to; that's why I'm free-lance. It gives me the luxury to worry about justice. The cops can't. All they're trying to do is keep that sixth ball in the air."

"A fine figure of speech, Mr. Spenser, and doubtless excellent philosophy, but it has little relevance here. I do not want you snooping about my department, accusing my faculty of theft and murder."

"What you want is not what I'm here to find out. I'll snoop on your department and accuse your faculty of theft and murder as I find necessary. The question we're discussing is whether it's the easy way or the hard way. I wasn't asking your permission."