"Yeah. I got to find a place of honour for it. Anna likes it, too. Now she can see what Susan is talking about. You know? The ruins. Anna and Susan are getting along pretty good."

"I'm happy to hear that. Your wife is very thoughtful to send over her cooking." I'd slipped back into my inane Wasp speech patterns now that the important business was done with, and I could see that Frank was miffed. He'd probably thought we were soul mates, talking about bribery, murder, and Beryl Carlisle's damp pants, but I wanted to show him that even if we wallowed in the same slops for a while, I could still soar like an eagle. I think he appreciated this on one level. That's what he was buying: an eagle. Pigs were cheaper. I became aware that something had caused a drop in the noise level. I looked toward the door and saw Susan coming toward me, Anna Bellarosa in tow. Anna was wearing another one of those loose, flowing pant suits, emerald green this time, and her feet were encased in white sandals, studded with sparkly rhinestones. She had on enough gold to cause a fluctuation in the precious metals markets.

Anna was stealing glances at her surroundings as she moved toward us, and she became aware that she was the centre of attention. Her face broke into a silly, self-conscious smile, and I was actually embarrassed for her. Poor Anna. I wondered if she knew why people were looking at her; that everyone there thought she was dressed funny, that she had the biggest hooters in the whole club, and that everyone had made the correct deduction that she was the Mafia don's wife. Susan, of course, was as self-possessed as a queen, completely at ease regarding her companion, whom she escorted as though Anna were European nobility. Frank and I rose as the women drew nigh, and we all exchanged greetings and kisses. The way I figured it, everybody in the lounge got their money's worth even at four bucks a drink. I also noticed no one was leaving. You have to understand, too, that despite what I said to Frank, Susan and I were not in immediate danger of social ostracism. No, John Whitman Sutter and Susan Stanhope Sutter could get away with a lot. People figure that the older the family, the more wacky and eccentric the members. Thus, just as radical chic was in during the sixties and seventies, with Rockefellers, Roosevelts, and so forth dining with black radicals and people without shoes, so perhaps criminal chic was in now. Maybe the Sutters were starting a trend. Take a criminal to The Creek.

The nouveaux riches among The Creek membership, however, would be the most vociferously judgemental, they being the most insecure and the most likely to be made uncomfortable by the Bellarosas, who reminded them of themselves when they lived in Lefrak City or Levittown.

Anyway, Susan looked stunning in a simple white silk dress, a sort of Greco-Roman thing that barely covered her knees and accentuated her tan. We all sat, and Charlie came over unbidden, because Lady Stanhope does not need a waiter summoned for her. Waiters, even in new restaurants, sense this and materialize by her side. This, by itself, is reason enough to stay married to her.

Drink orders were given, and the four of us fell into small talk. I said to Anna, "You look lovely tonight."

She smiled and her eyes sparkled. Clearly she liked me. For some reason, my eyes drifted to her cleavage, and there was that gold cross again, nestled between those voluptuous boobs, and if ever there was a mixed signal, that was it. Susan inquired of Frank and me, "Did you get your business finished?"

I replied, "Frank was very helpful."

"Good," Susan replied. She said to Frank, "My attorneys advised me to strike a separate deal with the government. In effect to abandon John. Can you believe that? What sort of people have we become?"

Bellarosa, on learning that Susan had her own attorneys, must have wondered the same thing. But to his credit he seemed to understand the underlying meaning of that question and replied, "Governments come and go. Laws come and go. You owe loyalty to family, to your own blood, and to your wife or your husband." He looked at me, "And if your wife has given you children and if she is a good wife, you owe loyalty to her family, too. Capisce?"

Frank, of course, hadn't met the Stanhopes. I mumbled a reply. Bellarosa continued, "If you betray family, you are damned to hell for eternity." He added, "If family betrays you, then no punishment is severe enough."

That sounded like something you'd pull out of a fortune cannoli if there were such a thing. I didn't mind the gospel according to Frank when we were alone, but when Susan was present, I didn't want it to appear that I actually hung on every grammatically incorrect piece of tripe he spouted. So I said, "What do you mean by betrayal? How about sexual betrayal?"

Forgetting that I'd said we didn't talk sex here, he replied, "A man can go with another woman without betraying his wife. This is the nature of a man. A wife cannot have another man without betraying her husband." I knew, of course, he was going to say something like that, and I wanted Susan to hear it, though I'm not certain why. A statement like that would usually set off a rather spirited discussion among two normal and contemporary couples, but if Frank Bellarosa had a weakness, it was this: The man had a faint sense of anachronism about him, a sort of 1950s persona, shaped by his unique subculture, his ethnic background, and his profession. He certainly understood the wider world in which he lived, and he understood human nature, which was why he made that statement and why, like it or not, it was a somewhat accurate statement. But he did not understand that you did not say things like that in America. You didn't refer to blacks as eggplants, and you didn't demean women or call Hispanics spies or make gross generalizations about women, minorities, the poor, the handicapped, immigrants, or any other group that was in special favour at the moment. Frank Bellarosa was not a sensitive man. Actually, he didn't have to be, which was one reason I was a little envious of him. I glanced at Susan, who, as I suspected, was not offended, only amused at this primitive sitting beside her.

Anna, of course, had no comment, nor would she ever. Frank went on, "But a man must be careful when he goes with a woman who is not his wife. Great men have been ruined because women made them forget loyalty, made them forget their friends, and opened the door to their enemies." I had the feeling Frank would have gone on but I wanted the subject changed, so I changed it. I said to Susan, "Frank told me he liked your painting." Susan smiled, then gave Bellarosa a stern look. "If he keeps peeking, I'm going to paint his face."

My, hadn't we become familiar with a Mafia don?

And so we chit-chatted through a round of drinks, giving our audience something to talk about over the weekend.

At eight, we retired to one of the dining rooms where Susan and I greeted a few people we knew and introduced the Bellarosas without using any of Frank's titles. No one, of course, snubbed the Bellarosas the way they would have twenty or thirty years ago. On the contrary, politeness grips most of American society now as if we'd been bombed with laughing gas, and your average white turkey will shake hands with a suspected murderer, converse on the street with bums who accost him, and probably open the door to armed robbers so as not to appear rude. Thus I knew we weren't going to have any scenes vis-a-vis the Bellarosas, and I was right.

We all sat, ordered more drinks, discussed the menu, and listened to the specials from Christopher, the maitre d', who Frank decided was a faggot. We placed our orders with Richard, an elderly gent who prided himself on remembering every order without writing it down. Alas, that is no longer the case, and hasn't been for some years, so with Richard as your waiter, you either eat what he brings, or you embarrass him by sending it back. I eat what he brings.