“Is it justice, Gabriel? Or only vengeance?”

Again he saw himself and Shamron. This time the setting was not Gabriel’s flat in Narkiss Street but a warm afternoon in September 1972-the day Shamron first came for him. Gabriel had posed the same question.

“It’s not too late, Sarah. You can get out if you want. We can find someone else to take your place.”

“There is no one else like me. Besides, I don’t want out.”

“Then what do you want?”

“Permission to sleep at night.”

“Sleep, Sarah. Sleep very well.”

“And you?”

“I have a painting to finish.”

He turned around and lowered his visor again. Sarah was not done with him.

“Was it true?” she asked. “All the things written about you in the newspapers after the Gare de Lyon attack?”

“Most of it.”

“You killed the Palestinians from Black September who carried out the Munich Massacre?”

“Some of them.”

“Would you do it again, knowing everything you know now?”

He hesitated a moment. “Yes, Sarah, I would do it again. And I’ll tell you why. It wasn’t about vengeance. Black September was the most lethal terror group the world had ever seen, and it needed to be put out of business.”

“But look at what it cost you. You lost your family.”

“Everyone who engages in this fight loses something. Take your country, for example. You were innocent, a shining beacon of freedom and decency. Now you have blood on your hands and men in secret prisons. We don’t do this sort of work because we enjoy it. We do it because we have to. We do it because we have no choice. You think I have a choice? You think Dina Sarid has a choice? We don’t. And neither do you.” He looked at her for a moment. “Unless you’d like me to find someone else to go in your place.”

“There is no one else like me,” she repeated. “When will I be ready?”

Gabriel turned and lifted his brush to the painting. Soon, he thought. One or two days more of inpainting. Then a coat of varnish. Then she would be ready.

ALL THAT REMAINED was her field training. Lavon and Uzi Navot put her through her paces. For three days and nights they took her into the streets of London and drilled her on the basic tenets of tradecraft. They taught her how to make a clandestine meeting and how to determine if a site was compromised. They taught her how to spot physical surveillance and simple techniques for shaking it. They taught her how to make a dead drop and how to hand material to a live courier. They taught her how to dial the Office emergency lines on ordinary pay telephones and how to signal them with her body if she were blown and required extraction. Lavon would later describe her as the finest natural amateur field agent he had ever trained. He could have completed the course in two days, but Gabriel, if only for his own peace of mind, insisted on a third. When Lavon finally returned to Surrey that afternoon he found Gabriel standing morosely at the edge of the stock pond, with a rod in one hand and his eyes trained on the surface of the water as though willing a fish to rise. “She’s ready,” Lavon said. “The question is, are you?” Gabriel slowly reeled in his line and followed Lavon back to the house.

LATER THAT SAME evening the lights went dark in the melancholy little travel agency in Mason’s Yard. Miss Archer, clutching a batch of old files, paused for a moment on the landing and peered through the sparkling glass entrance of Isherwood Fine Arts. Seated behind the receptionist desk was Elena, Mr. Isherwood’s scandalously pretty Italian secretary. She glanced up from her computer screen and blew Miss Archer an elaborate farewell kiss, then looked down again and resumed her work.

Miss Archer smiled sadly and headed down the stairway. There were no tears in her eyes. She’d done her crying in private, the way she did most things. Nor was there hesitation in her step. For twenty-seven years she’d been coming to this office five mornings a week. Saturdays, too, if there was housekeeping to be done. She was looking forward to retirement, even if it had come a bit earlier than expected. Maybe she’d take a long holiday. Or maybe she’d take a cottage in the countryside. She’d had her eye on a little place in the Chilterns for some time. She was certain of only one thing: She wasn’t sorry to be leaving. Mason’s Yard would never be the same again, not with the flashy Miss Bancroft in residence. It wasn’t that Miss Archer had anything against Americans personally. She just wasn’t terribly interested in living next door to one.

As she neared the bottom of the stairs a buzzer groaned, and the automatic locks on the outer door snapped open. Thank you, Elena, she thought as she stepped outside into the chill evening air. Can’t get off your shapely little backside to give a proper good-bye, and now you’re practically shoving me out the door. She was tempted to violate Mr. Isherwood’s long-standing edict about waiting for the door to lock again, but, professional to the end, she stayed ten more seconds, until the dull thump of the deadbolts sent her shuffling slowly toward the passageway.

She did not know that her departure was being monitored by a three-man neviot team waiting in a van parked on the opposite side of Duke Street. The team remained in their van for another hour, just to make certain she hadn’t forgotten anything. Then, shortly before eight, they slipped through the passageway and made their way slowly across the bricks of the old yard toward the gallery. To Julian Isherwood, who watched their unhurried approach from the window of his office, they seemed like gravediggers with a long night ahead.

19.

THE OPERATION BEGAN IN earnest late the following morning, when Julian Isherwood, London art dealer of some repute, placed a discreet telephone call to the Knightsbridge residence of Andrew Malone, exclusive art adviser to Zizi al-Bakari. It was answered by a drowsy woman who informed Isherwood that Malone was out of the country.

“A fugitive from justice?” he asked, trying to make light of an awkward situation.

“Try his mobile,” the woman said before slamming down the phone.

Fortunately, Isherwood had the number. He immediately dialed it and, as instructed, left a brief message. The better part of the day elapsed before Malone bothered to call him back.

“I’m in Rome,” he said sotto voce. “Something big. Very big.”

“Hardly surprising, Andrew. You only do big.”

Malone batted away Isherwood’s attempt at flattery. “I’m afraid I only have a moment,” he said. “What can I do for you, Julie?”

“I think I might have something for you. Something for your client, actually.”

“My client doesn’t do the Old Masters.”

“The something I have for your client isn’t Old Master. It’s Impressionist. And not just any Impressionist, if you’re getting my drift. It’s special, Andrew. It’s the sort of thing that only a handful of collectors in the world can even dream about owning, and your man happens to be one of them. I’m offering you a first look, Andrew-an exclusive first look. Any interest, or shall I take my business elsewhere?”

“Do tell more, Julie.”

“Sorry, darling, but it’s not the sort of thing one discusses over the telephone. How about lunch tomorrow? I’m buying.”

“I’m going to Tokyo tomorrow. There’s a collector there who has a Monet my man wants.”

“How about the day after tomorrow then?”

“That’s my jet-lag day. Let’s make it Thursday, shall we?”

“You won’t regret this, Andrew.”

“Regrets are what sustain us. Ciao, Julie.”

Isherwood hung up the telephone and looked at the heavy-shouldered man with strawberry-blond hair seated on the opposite side of the desk. “Nicely done,” said Uzi Navot. “But next time let Zizi buy lunch.”