8. Noisy Neighbors

Jack was right: The evening editions of The Mole, The Toad and The Owl covered little else but the Gingerbreadman’s dramatic escape, along with lurid accounts of what he had got up to the last time he was free. The scaremongering that had begun on the radio was thus reinforced, and by nightfall panic buying had occasioned the systematic emptying of every food store and gas station in town, causing several shopkeepers to comment in private that they wished a dangerous homicidal maniac would escape every week.

Jack pulled up outside his house in the north of the town and locked the Allegro. His neighbor Mrs. Sittkomm was staring inquisitively over the fence as she pretended to take in the washing. But she wasn’t looking at Jack—she was looking beyond him to the house attached to Jack’s on the other side.

“There goes the neighborhood,” she muttered with barely concealed venom.

Jack followed her look to where a moving van was disgorging a procession of carefully taped cardboard boxes. “Ah!” said Jack. “Our new neighbors. Any idea who they are?”

Mrs. Sittkomm stared at him and then ran through the gamut of severe English disapproval. She started with a slow shake of the head, went on to raised eyebrows and a glare, then ended with an audible tut. She beckoned him closer and hissed under her breath, “Nurseries!”

“Which ones?” asked Jack, more through professional interest than anything else.

“You’ll see,” said Mrs. Sittkomm scornfully. “They’ve no right to be living with decent real people. They’ll bring house prices down, you see if they don’t.”

“Bears?” asked Jack curiously.

“Mercifully not,” replied Mrs. Sittkomm with a snort. “I had a bear as a lodger once; took six months to get the smell of porridge out of the spare room—and the honey in the carpet…”

She didn’t finish her sentence and just signaled that her contempt was total by rolling her eyes, shrugging and looking to heaven all at once, a curious maneuver that reminded Jack of a stage contortionist he had once seen.

Jack left Mrs. Sittkomm to her twisted moral dilemma, walked along the street to his new neighbors’ house and rang the doorbell.

A florid-looking woman in a flower-patterned dress answered the door. She had large, exaggerated features, unblinking eyes and a shiny, almost varnished complexion. She also had several bruises on her face and one arm in a sling.

“Mrs. Punch…?” said Jack, recognizing her immediately. She and her husband were well known to him and the NCD. Although their constant fights were no one’s business but their own, Jack was always concerned that they might throw the baby downstairs, something they had been threatening for over thirty years but fortunately had not yet done.

“Inspector!” screeched Judy, staring at Jack as though he were something you might tread on in the local park. “What the bloody hell do you want?”

“I’m not here on business, Mrs. Punch. I live next door—and keep your voice down. I’m only a yard away.”

“Nuts to that!” she screamed, so loudly that several pieces of saliva exploded from her mouth with such force that Jack had to step aside to let them pass. “Lazy bastard of a husband!” she shouted over her shoulder into the house. She waited with extreme patience for perhaps a half second for him to appear, and when he didn’t, she screamed “HUS-BAAAAND!” so loudly that Jack felt his ears pop, and one of the flowerpots in the garden shattered. Presently, and with the slow, almost reptilian movement of the worst kind of loafer, Mr. Punch appeared, dressed in his traditional red tunic and hat. His features were more exaggerated than his wife’s, his complexion more florid, shinier and uglier. He had a large hooked nose that curved down to almost touch his upwardly hooked chin, and his long, thin mouth was curled into a permanent leer. He wore a small pointed hat and had heaped upon his back a hump that was as pointed as his chin, nose or hat. He also had several bruises on his face, and one eye was puffy and black. He had an infant clasped to his chest in a typical crossed-arms Punch pose and was rocking the baby back and forth in an aggressive manner. Jack stood and stared at Punch and Judy, trying to figure out which one he disliked least—it was a tricky contest.

“Bloody hell!” said Punch in an annoying, high-pitched voice. He opened his glassy eyes wide in shock and grinned even more broadly to reveal two long rows of perfectly varnished teeth. “The pig-bastard baby snatcher! What the ****ing hell do you want?”

“I live next door,” said Jack, “and keep your voice down. If I ever hear you swear without asterisk substitution, I’ll arrest you for offensive and threatening language.”

“Like I g*ve a shit!” screamed Mr. Punch, tossing the sleeping baby into a pram and picking up a handy baseball bat.

Jack stood his ground. “Drop the bat or you’re under arrest.”

“It’s not for you!” screeched Mr. Punch. “It’s for my lazy scumbag of a wife. Where’s my dinner, trout-lips?”

Judy expertly ducked the baseball bat that quickly followed. Mr. Punch, thrown off balance by her quick maneuver, left his flank unguarded, an opportunity quickly grasped by Judy, who thumped him painfully in his already badly bruised eye. Mr. Punch gave a scream of pain, but Judy hadn’t finished. She grabbed his arm, twisted it around so hard he had to drop the bat, which fell with a clatter to the floor, then stamped on his knee from the side. He collapsed in a groaning heap near the still-sleeping baby.

“I’ll get your bloody dinner when I bloody feel like it!” she screamed, and trod on his hand as she stepped over him.

“Are you okay?” asked Jack.

“Never better!” he gasped, his painted grin not for one second leaving his face. “Terrific lass, Judy. Very… spirited.”

“Very,” said Jack, thinking that if Judy hadn’t ducked the baseball bat, she would be unconscious, or worse. Still, this was what they did. What they had always done. For over three hundred years, they had beaten the living blue blazes out of each other for the joyous edification of the masses. Of course, what with the changing attitudes to marriage, women and respect for the law, Punch couldn’t actually kill anyone anymore, but the violent slapstick remained. He had for centuries been a source of lighthearted entertainment, but his star was now low on the horizon, and he was seen more as a misogynistic social pariah than an icon of antiestablishment dissent—especially in any neighborhood in which he lived. It wasn’t his fault the world had moved on; today’s Punch was a fly in amber, a fossilized pop-culture relic from a bygone era.

“I’m too old for this endless fighting crap,” he said mournfully, wincing as he struggled to his feet. “Want to come in for a beer? We could chat about the good old days—do you still do your ‘Jack Sprat / eat no fat’ routine?”