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A long avenue of plane trees formed a graceful natural entrance to the village. They had been planted, like every other plane tree in Provence -if one believed the stories-by Napoleon, in order to provide shade for his marching armies. History didn’t relate how he had ever found time for war-or, indeed, for Josephine-in the midst of all this frenzied gardening.

Max parked in the shade and strolled into the main square. It was much as he remembered it: a café, a tabac, the Mairie, and a fountain. The only obvious change was a small restaurant, the tables under their umbrellas still filled with people lingering over a shady lunch. What had been there before? It must have been the village hairdresser. Max had dim memories of having his hair cut by a large, scented woman whose bosom, thrust in his ear or close up at eye level, had inflamed his adolescent imagination.

Leading off the square were narrow, shadowy streets, little wider than passageways. Max could see signs hanging over the doors of the bakery and the butcher’s shop and, on one corner, another sign with peeling, sun-bleached paint and an arrow marked Notaire pointing up the street. He looked at his watch, and saw that he had half an hour to kill before his appointment. The sun beat down on the top of his head. He took his thirst into the café, nodding at the group of old men who had paused in their card game to inspect this stranger in a suit, and ordered a pastis.

The woman behind the bar waved an arm at the shelf behind her. “Lequel? Ricard? Casanis? Bardouin? Janot? Pernod?” Max shrugged, and she smiled at his confusion. “Alors, un Ricard.” She poured a generous shot into a glass and placed it on the pockmarked zinc bar next to a jug beaded with moisture. Max added water and went to sit at a table on the terrace, where he was joined by the café dog, who put his head on Max’s knee and stared at him with large, soulful brown eyes that made him think of Charlie.

Max took his first sip of the cloudy liquid, sharp and refreshing with the bite of aniseed, and wondered why it tasted so much better here than the few times he’d had it in London. The heat, of course; it was a warm-weather drink. But it was also the surroundings. Pastis was at its best when you could hear the click of boules and the sound of French voices. It would taste even better, he thought, if he weren’t wearing a suit and socks. He took out the notaire’s letter and looked at it again as Charlie’s words came back to him: a new life… you could be sitting on a gold mine… boutique wines are the coming thing. Max raised his glass and drank to the future.

Looking across the square, he watched the last customers leaving the restaurant, flinching at the heat and adjusting their sunglasses before ambling off in a slow, post-lunch waddle to deal with the business of the afternoon. One of them, a man with a prosperous belly and the remains of a cigar, disappeared up the street leading to the notaire’s office. Probably the notaire himself, Max thought. He finished his drink and stood up. It was time to go and inherit.

The office was at the top of the street, just before the village ended and the vines began. A small house, its windows shuttered against the heat, a brass plaque on the front door. Max pressed the buzzer.

“Oui?” said the tinny voice, querulous at yet another unwelcome disturbance. Max announced himself, heard the latch click, and went in to meet the voice’s owner.

She sat behind a large, old-fashioned desk piled with dossiers, a middle-aged woman with the tightly permed hairstyle that had been popular during her mother’s youth. Attempting a smile, she waved Max toward the two hard-backed chairs in the corner of the room. Maître Auzet wouldn’t be long, she told him, and returned to her files.

He picked up a dog-eared, six-month-old copy of Coucou from the table between the two chairs. The magazine, consistent as ever in its choice of editorial revelations, featured all the usual suspects: Stephanie of Monaco, the latest temporary Hollywood legend, Jean-Paul Belmondo’s son, Prince William, Johnny Hallyday. In or out of love, it made no difference-they all led the kind of lives that were guaranteed to fascinate people in waiting rooms.

Max was distracted from an exclusive interview with Brazil’s top cosmetic surgeon by the sound of an angry, raised voice coming from behind the closed door of what he assumed was Maître Auzet’s office. There was a final explosive grunt, the door was flung open, and a burly man with the roasted complexion of a farmworker stamped out of the office, giving Max a sidelong glare as he left. The secretary didn’t bother to look up from her papers. The man’s face seemed vaguely, very vaguely, familiar, but Max couldn’t place it. He went back to the cosmetic surgeon, who had apparently achieved an exciting breakthrough in buttock lifting.

Some moments later, there was the click of heels on the tiled floor, and Maître Auzet appeared, smiling a welcome. “Monsieur Skinner? I’m delighted to meet you. Would you like to come into the office?”

Max needed a moment to recover from his surprise before getting up and shaking the proffered hand. Maître Auzet was, despite the official masculine title, a young woman: slim and olive-skinned, with the deep, burnished henna-red hair that one only seems to see in France. She was wearing a jacket and skirt that wouldn’t have been out of place in Paris, and her elegant legs ended in an equally elegant pair of high heels.

“Monsieur Skinner?” She seemed amused by his evident surprise. “Is something wrong?”

Max shook his head, and muttered something about never having seen his English solicitor, Mr. Chapman, in high heels before following her into her office. In contrast to the secretary’s sparse and rather dingy surroundings, the office of Maître Auzet was not unlike her, sleek and modern, beige and dark brown. The desk was bare except for a laptop, a notepad, a vase of peonies, and a crystal tumbler filled with a bouquet of Montblanc pens.

“Could I ask you for some identification?” She smiled again. “Just a formality.” Max gave her his passport. She put on a pair of reading glasses before comparing the photograph with the real thing sitting opposite her, looking from one to the other, shaking her head. “Never very flattering, are they? I wonder why that is.” She slid the passport back across the desk and, reaching into a drawer, took out a thick file and a bunch of large, old-fashioned keys tied together with binding twine.

She started to go through the contents of the file, reading out various passages from different documents. Max half-listened, his thoughts far from legal technicalities as he took advantage of her lowered head to study her: the merest, most discreet hint of cleavage where her silk blouse had fallen away from her body as she bent forward; the skin with its rich Mediterranean glow; that wonderful hair; delicate hands, shining, unpainted nails, and, he noticed, no wedding band. Maybe his luck really was changing. He tried to think of a convincing excuse for another, less businesslike meeting.

“… and so you don’t have to worry about the property taxes. They won’t be due until November.” She closed the file, and pushed it across the desk with the keys. “Voilà.”

She turned to the pad on which she’d made some notes.

“Unfortunately”-her mouth formed a pout, as if to emphasize the burdens of a notaire’s life-“matters of succession are never completely without a few loose ends.” She looked at Max over the top of her glasses and tilted her head prettily. “You probably saw one of them leaving the office while you were waiting.”

Max thought back to the scowling peasant. “He didn’t seem too happy. Who is he?”

“Claude Roussel. He used to work for your uncle.”