Chapter 10

Although Sano’s military education had included no training in the art of stealth, he found it surprisingly easy to follow Kikunojo. The onnagata walked briskly, threading his way through the street with agility, but his height made him easy to keep in view-in a crowd comprised mostly of women and children. Sano hung back about twenty paces as they proceeded down Saru-waka-cho, ready to take cover behind a cluster of pedestrians or inside a teahouse should Kikunojo look over his shoulder.

Kikunojo didn’t. He seemed unaware of Sano’s presence. Sano didn’t have to worry that Kikunojo might suddenly jump on a horse and ride off, either. He’d heard that the shogun, an enthusiastic arts patron, meant to grant Kikunojo samurai status in recognition for his theatrical achievements, but for now Kikunojo was still a commoner, and commoners did not ride. Sano began to enjoy his secret pursuit.

Then, just as Kikunojo passed the Yuki-za, the puppet theater’s door opened and a horde of men poured out: samurai leaving the choice floor seats after the play. Kikunojo was lost in their midst. Sano hurried forward, frantically trying to locate his quarry.

“Hey, watch where you’re going, brother,” someone said. The other men jostled Sano, carrying him back in the direction from which he’d come.

Sano fought his way back to the Yuki-za. When he reached it, he saw no sign of Kikunojo. He peered up the street and down the nearest alley. No Kikunojo there, either. Then he saw three pairs of palanquin bearers hoist the poles of their sedan chairs onto their shoulders and trot away from the theater entrance. Immediately he guessed that the onnagata was inside one of the curtained vehicles. But which? For lack of any idea, Sano picked one at random. He followed it out of the theater district to a quiet nearby street where the weighty tile roofs and trim half-timbered walls of wealthy merchants’ houses rose above wooden fences. Hiding behind a public notice board, he watched the bearers stop and set the palanquin down before a gate. Was this Kikunojo’s lady’s residence? Sano peered at the shuttered windows, hoping for a glimpse of her.

The palanquin’s curtain lifted. To Sano’s intense disappointment, the passenger who stepped out was not Kikunojo, but a very old, very drunk man who swayed and dropped his money when he tried to pay the bearers. Sano cursed his luck as he headed back to the theater district for his horse. Now he would have to consult the gossips after all. But after the excitement of the chase, such a tedious prospect didn’t appeal to him. He was beginning to enjoy detective work. The novel idea that deceit could serve an honorable purpose held a strong attraction for him. He thought of Kikunojo’s reference to Noriyoshi’s other blackmail victim and remembered that Wisteria, too, had mentioned a sumo wrestler. First he would look for Raiden.

He found the wrestler in a cheap entertainment district near the Nihonbashi Bridge, where commoners congregated. The proprietor at one of the teahouses that sold tickets to the big matches had given him the detailed directions necessary for locating anything in Nihonbashi’s maze of nameless streets.

“Turn left off the Great North-South Road at the big furniture store,” the proprietor had said. “Then keep going past the streets with the silversmiths and the basket makers, past some houses where the women take in laundry and dry it on racks on the roofs. Turn right. Go past the noodle restaurant, the barber shop, and three teahouses. You’ll find Raiden on the street in front of the storyteller’s hall. That’s his place. He’s always there.”

Sano rode past the silversmiths and the basket makers. He found the laundries and the noodle restaurant, the barber shop and the teahouses. A noisy crowd had gathered in front of the storyteller’s hall, but apparently not to hear the old man who was entertaining a group of mothers and children inside. Intent on some action taking place in their midst, they yelled encouragement to the unseen participants.

Dismounting, Sano tied his horse outside one of the teahouses and elbowed his way through the crowd until he could see what was happening.

In place of the straw rice bales that usually defined a wrestling ring, pebbles marked a lopsided circle that had already become trampled and disarranged. A ragged little boy beating on a block of wood with a stick substituted for the drummers who paraded through the city to announce the official matches. At one side of the ring paced a man who could only be Raiden.

The wrestler was about Sano’s age and height, but there the similarity ended. He wore a bright yellow kimono printed on the back with one of the rebus designs currently popular: a cherry branch, sword, and oar, which, when named aloud, sounded like “I Love a Fight.” It hung open to reveal a huge flabby belly girdled with a fringed black loincloth. Putting his hands on his hips, Raiden bent at the waist, exposing massive naked buttocks. He canted sideways, raising one bent-kneed leg high, then lowering it so that his dirty bare foot struck the earth with a mighty stomp. Dust rose in puffs. He stomped again: both to show his strength and to drive away evil spirits. His fierce scowl made a demon mask of his round, pudgy face.

The audience cheered. “Raiden!” The name, a colorful pseudonym like many assumed by professional wrestlers, meant

“Thunder and Lightning.” And Raiden’s excited spectators certainly acted as though they expected from him all the power and drama of a violent storm. “Raiden! Raiden!” A few men set up the chant, tossing coins at their champion’s feet.

“No contest,” the man beside Sano remarked.

Sano looked at Raiden’s opponent and privately agreed. The man disrobing on the other side of the circle was as big and fat as Raiden, but clearly no professional wrestler. The good clothes and the absence of swords marked him as a merchant. When he took off his kimono, Sano caught a glimpse of its opulent lining: the wealthy commoner’s secret protest against the government’s laws forbidding him to wear silk. Shivering in the cold, the man clumsily imitated Raiden’s stomps. His moonlike face wore an expression of confused glee, as if he didn’t quite understand how he’d got himself into this but was tickled at his own daring. The men who held his clothes, presumably his friends, cheered him on.

Raiden took a pouch out of his kimono. He poured a white substance from it into his hand. Most of it he scattered into the makeshift ring; the rest he tongued. Salt-to purify himself and the ground according to ancient tradition. Then he shrugged off his kimono and threw it to the boy with the wooden drum.

The two competitors faced off, crouched at opposite sides of the circle. Fists to the ground, they stared into each other’s eyes. The audience fell silent. Sano’s heart began to pound as the tension mounted. Instinctively he took a step backward, away from the ring.

This was not the ancient Shinto fertility ritual of fourteen hundred years ago, in which wrestlers from neighboring villages competed for the blessings of the gods at rice-planting time. Neither was it the legendary match of some five hundred years later that had determined which of two imperial princes would succeed to the emperor’s throne. And it bore no resemblance to today’s great tournaments, where professionals retained by the daimyo performed in formal style before huge audiences on the grounds of Edo ’s important temples. This was street-corner sumo at its worst: wild, dirty, and unpredictable. Anything could happen. Sano wondered if he should try to stop the match. Although the government issued periodic edicts against street-corner sumo, it wasn’t currently illegal. He saw two doshin he recognized as his subordinates on the other side of the ring. The match even had tacit official sanction.