Travers looked like a slight breeze would've knocked him over.

Someone from the back of the crowd whispered, "Oh, my God. And we let the terrorist responsible get away!"

"Yes," Kaederman said with enough frost to freeze every cup of water in the room, "you did. And we're here to find him. Now, does anyone have a photo of Tyrolin and his porter? I want to make a positive identification of that bastard before we ride out after him and his hostages."

"I have a photo," a woman spoke up, pushing her way to the front. "I should have several, in fact." She ignored Kaederman, addressing Kit, instead, which left the Wardmann-Wolfe agent bristling. "Ellen Danvers, Mr. Carson, professional photographer. Hired to do the wedding party. I've been taking pictures steadily with a digital camera. I can bring all the disks for you to study, if you like."

Three minutes later, Skeeter found himself staring at a photograph of Marcus on the miniature screen at the back of Ellen Danvers' digital camera. He was clearly in disguise, but a guy didn't live through what Skeeter'd lived through, trying to rescue his friend from slavery, without getting to know that friend's face well enough to recognize him under any circumstances. The only reason he'd failed to spot Marcus at the gate's opening was Joey Tyrolin's masterful performance, drawing attention away from everything else within a thousand paces.

Ellen Danvers scrolled through shot after shot. "Joey Tyrolin was camera shy, considering how drunk he was all the time. I didn't get many shots of him. In fact, I had to work hard to get any photos of his face at all, and my client specifically asked for candids of the entire competition group." She'd used up dozens of disks taking pictures of just about everything but the horse dung.

"There," Miss Danvers paused the scroll, freezing a frame for them to look at. "That's them. Joey Tyrolin and his porter. And these are the porter's little girls. Beautiful children, both of them." The photographer's gaze was troubled as she glanced up at Kit. "We had no idea they were Ianira Cassondra's daughters, or that the porter was her husband. Are they really hostages?"

Sid Kaederman answered, voice still colder than spiked icicles. "They most certainly are, if they're even still alive. This," he tapped Noah Armstrong's photo, "is one of the most dangerous men in the world. Or rather, one of the most dangerous people. Armstrong's an intersexual, neither male nor female, able to assume any disguise he pleases. Armstrong's the cleverest, deadliest bastard I've ever run across. God help those kids, in the clutches of a monster like that."

Skeeter peered sharply at Kaederman, wondering about the level of venom. Was Kaederman that prejudiced against intersexuals? Lots of people were, Skeeter knew, although Kaederman didn't strike him as the type who would hate without reason. He could be playing some other game, however, painting Armstrong as the one thing Skeeter was beginning to suspect he wasn't: a terrorist.

Ellen Danvers, of course, with no reason to suspect Kaederman's motives or honesty, had paled, her expression stricken. "Those poor little girls! Can you find them?"

"We'll give it our best shot," Kit said quietly. "Let's check our gear and rations. I want to ride out within the hour."

Skeeter stayed where he was until Kit and the Wardmann-Wolfe agent had left the room. As the meeting broke up and the tourists milled around outside, trying to help and mostly dithering and getting in everyone's way, Skeeter took Ellen Danvers quietly aside and asked to see her photos again.

"All of them?" she asked.

He nodded, studying each of the shots in turn, looking carefully at every digitally recorded face. "You're sure you took pictures of every single person in the group?" he asked at length.

"Yes, quite sure."

"And there wasn't any way they could've been hiding someone else? In their luggage, say?"

"No, I don't think that would've been possible. Not an adult, anyway. The porter smuggled the children in his trunk, but they're such little things. I can't imagine how anyone could have stuffed an adult into one of those trunks."

"But they took their luggage with them? Steamer trunks, pack horses, all of it?"

Puzzled, she nodded. "Yes. Why?"

Skeeter merely shook his head. "Just a theory. Nothing I want to discuss, yet." He wondered if Kit had noticed, or Kaederman, for that matter, that the one face missing from Ellen Danvers' impressive collection of photos was Jenna Caddrick's? Nor did Ianira Cassondra appear in any of her shots, which struck Skeeter as both ominous and profoundly odd. If neither Jenna nor Ianira had come with Armstrong and Marcus, just where had the two women gone? Were they, in fact, hidden away in the steamer trunks? Or buried somewhere in a shallow grave? Skeeter's gut churned queasily. He didn't want to share those particular thoughts with anyone just yet, not until he could get Kit alone once more. He said only, "Thanks for letting me look through these again."

"Of course. Do you think there's much chance you'll be able to find them?"

Skeeter hesitated. "We'll do the best we can. I'm a good tracker. So's Kit. But they've got a good lead on us and it's a big country, out here. Frankly, I'm not holding out much hope. And I've got more reason than most to find them. Marcus is the closest friend I have in the world."

Ellen Danvers' eyes misted. "I'm sorry, Mr. Jackson."

"Thanks." He handed back the camera. "I'd appreciate it if you didn't mention this conversation."

"Of course." She hesitated. "You don't trust the senator's detective much, do you?"

Skeeter's laugh was as colorless as the burnt sky overhead. "Does it show that much? Would you trust a man working for Senator John Paul Caddrick?"

She bit one lip. "Well, no, not as far as I could throw him, which isn't very far. Good luck, Mr. Jackson. And be careful."

Her concern surprised Skeeter. He hadn't realized ordinary people could care so much. "Thank you, Ms. Danvers. I appreciate that, more than you know."

He left her peering at the screen on her camera, studying the photos, clearly wondering what, exactly, he'd been looking for. Ellen Danvers was a smart lady. He wouldn't be at all surprised if she didn't tumble to it on her own.

If she did, he hoped she kept it quiet as a tomb.

Elizabeth Stride was known throughout the East End for her stormy temper and her explosive relationship with her lover, Michael Kidney—a violent relationship she wasn't particularly ashamed of, any more than she was ashamed of the way she made her living. When Liz's younger lover drank, which was frequently, Michael grew abusive. And when she drank, which was even more often, Long Liz Stride grew belligerent. And when they quarelled, which was nearly every time they drank, Liz usually ended by slamming Michael's door behind her—if he hadn't padlocked her in again to keep her off the streets.

On Wednesday, September 26th, after another violent and drunken row, Long Liz Stride found herself on the streets once more, fuming and furious and looking for a bed at her favorite lodging house, 32 Flower and Dean Street. The kitchen was filled with more than a dozen women and girls of all ages, most of them cold and frightened and in various stages of drunkenness. All of them whispered about the shocking murders which had struck down so many women just like them since Easter Monday.

"—scared to let a man touch me, I am," one girl of seventeen was whispering miserably, "but I got to eat, 'aven't I? What's a lady to do, when she's got to eat and there ain't no other way to put bread in 'er Lime'ouse Cut, but lift 'er skirts for whatever man'll pay 'er to do it?"

Liz had, until recently, entertained her own ideas about the infamous Whitechapel Murderer, as the newspapers had taken to calling him. She had spent a hard-earned shilling to buy a short, blunt knife to carry in her pocket as protection, after what had happened to Polly Nichols and Annie Chapman. Ever since Dark Annie's murder, Liz had been terrified to do anything about her own letter. But surely, if Annie had been killed because of these letters, the killer would have dragged out of the poor woman the identity of everyone she'd sold the letters to? Logically, a killer looking for those letters would've found that out first thing, then come after anyone who'd bought one. But nearly two weeks had passed and no one had come knocking on her door, so the newspapers must be right and poor Annie had simply fallen victim to a madman, same as poor Polly Nichols, a week before.