She hesitates, then drops my wrist and moves aside.

Kelly starts to fall into step with me.

"Stay here," I tell him. "I don't need you for this."

He stops, but before the main door closes behind me, I hear Caitlin say, "Go with him."

Tuscany is a magnificent mansion, but it would look incomplete without the indelible image of Livy standing on the gallery. She's wearing a royal blue sun dress, belted at the waist and falling just below her knees. The air is cool beneath the trees, and the freshly fallen leaves have been gathered into random piles by the wind. The scene looks staged, like a rich color shot from an ad in Architectural Digest. Who is that beauty waiting for? you wonder as you flip past it. If only she was waiting for me.

This beauty is waiting for me. Only she has no idea what a dreadful gift I bring. The last thing she wants to receive. A demand for the truth, and the means to compel her to speak it.

I park beside the Negro lawn jockeys and remain in the car. Livy comes down the steps, her tread light, her movements graceful. Her eyes are curious as they take me in. She walks around to the passenger door, clearly wondering why I haven't scurried around to open it for her. Unable to wait for the pretense of a drive to speak to her, I get out and address her over the gleaming black roof of the car.

"Do you know a girl named Jenny Doe?"

She freezes with her hand on the passenger door. Behind those eyes I know so well, have dreamed of for years, another pair of eyes is looking out. Frightened, hunted eyes.

"Who have you been talking to?" she asks, her voice oddly devoid of emotion.

"Does it matter? I want to know if you were pregnant in 1978."

"That's none of your business."

"Not my business. Is that girl our daughter, Livy?"

She takes a deep breath, recovering her composure with remarkable resilience. "No," she says simply.

"No, she's not my daughter? Or no, she's not yours either?"

She purses her lips, as though calculating the impact of various replies. "Stay out of this, Penn. It's none of your affair."

"Were you sleeping with someone besides me in the spring of seventy-eight?"

Her eyes flash. "Weren't you?"

My heart feels suddenly cold. "No. But if you were, how do you know for certain who the father was?"

"Maybe I don't care who it was."

The steel in her voice cannot mask the fear and anguish in her face. "Livy-"

"Listen to me, Penn. You are not that girl's father. I know that with absolute certainty. And if you thought hard about it, you would too."

"What the hell does that mean? I worked out the months from her birth certificate. I could easily be her father. You got pregnant right before you disappeared."

She studies me with cold objectivity, as though taking some life-altering decision. "If you ever mention what I'm about to say, I'll deny I said it. Jenny Doe is my daughter. But she is not yours. She's twenty years old now, and I have no legal responsibility to care for her. As far as I'm concerned, she doesn't exist. Since she's not your child, you have no say whatever in the matter, and you should never mention it to me again."

"Livy, where is this coming from? How can you be so cruel to this girl?"

"You're so naive. You don't know anything. You-"

She stops as the low purr of an engine murmurs through the trees. I assume it's Kelly until Leo Marston's silver Lincoln Town Car rounds the bend by the azalea bushes.

"Get out of here," Livy says in a taut voice. "Go. And don't come back. I was stupid to think we could ever make it work."

I don't move. I can't.

Leo's face is masked by the glare of the sun on his windshield as he parks behind the BMW. When he gets out, his face is not mottled red with fury, as I expect, but calm. A smug smile curls his lips as he walks toward me. When he stops three feet away, I see that his upper cheeks are flushed, and when he speaks I smell the sweet odor of bourbon.

"Livy?" he drawls, glancing at her over the roof of the BMW. "Does this person have your permission to be on our property?"

"He was just leaving."

"That doesn't answer my question. I asked if he's a guest, or if he's a trespasser, like the other night."

Livy looks at me with pleading eyes, the familiar eyes I once knew. "He's my guest, but he's leaving. Let's go inside."

"In a minute, in a minute." Leo is grinning like a six-year-old boy with a secret. "I'm glad I ran into you, Cage. I've got some news you'll be interested in."

"Is that right?"

"You're damn right that's right. A friend of yours was just arrested in the Hoover Building in Washington, D.C."

Fear and guilt for Peter Lutjens clench my stomach.

"Seems this fellow was attempting to steal a file," Leo drones on. "A file sealed on national security grounds. He had a funny name. Foreign name. Dutch maybe. There's some question of treason, I believe. John Portman is personally investigating the situation."

He turns to Livy. "This boy's got no case, Livy. None at all." He turns back to me, laughter rumbling low and deep in his chest. "When Wednesday gets here, you're gonna wish you never opened your mouth about me. You're gonna rue the goddamn day you decided to fuck with Leo Marston."

Confused images fire through the synapses of my brain. My father on the floor of his bedroom, felled by a heart attack. My mother in tears, unable to cope with the stress of the malpractice trial. Jenny Doe describing her meeting with the man who stands before me now, the man who made her feel she'd be doing the world a favor by committing suicide. Peter Lutjens being handcuffed while his wife and children wait for him at home in a clutter of U-Haul boxes.

Victory is written on Leo's face like blood after a hunt, and the wolfish blue eyes are laughing. I have not struck another human being in anger since I was fifteen years old, but my knee rises into his groin with preternatural speed and force. The air explodes from his lungs. As he doubles over, my elbow crashes into the side of his head, just the way a Houston police detective once taught me.

"Stop it!" Livy screams. "Penn, stop!"

She is running around the car to get between us. Some part of my brain knows I should stop, but I'm still moving forward, pursuing Leo as he staggers back. He shakes his head and raises his big left hand to his jaw. I draw back my fist, then freeze as a silver derringer appears before my nose as though by magic. He must have had it palmed all along, a little nickel-plated gambler's special.

"Go ahead, you little pissant," he snarls. "Go ahead."

"Daddy?" Livy stands two feet behind her father, her voice riding a current of hysteria.

"Go inside, baby. You don't want to see this."

"Daddy, I love him."

This simple declaration hits Leo like an arrow. He actually flinches, like a bear struck between the ribs, and an expression of pure hatred comes over his face. "Go inside, Livy! This boy's forgotten his place. He assaulted me on my property."

But Livy doesn't go. The three of us remain locked in our positions, a pathetic standoff on the edge of tragedy that lasts until Daniel Kelly's rented Taurus rolls slowly up the drive.

Kelly parks alongside the cars, five feet from us, and rolls down his window like a tourist asking for directions. But what comes through his window is not a map but a Browning Hi-Power pistol, which he points at Leo's head.

"Please go inside the house, sir," he says.

"Who the hell are you?" Leo asks, keeping the derringer in my face.

Kelly's suntanned face remains calm, as though he were listening to a soothing piece of music. "I'm the man who's going to end your life unless you take that gun in the house."

"Bullshit," Leo grunts. "Get the fuck off my property."

"I'm here to do a job, sir," Kelly says in the same lazy voice. "Don't make yourself part of it."