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His nervous babble concealed the quiet until they reached the door; then he let it drop. She was glad he was silent. The place deserved reverence. Standing at the step, it wasn't difficult to believe phantoms gathered here, the dead of centuries past mingling with those she'd last seen living on this very spot: Charlie for one, of course, coaxing her inside, telling her with a smile that the place was nothing special, just stone; and the voiders too, one burned, one skinned, both haunting the threshold.

"Unless you see any just impediment," Oscar said, "I think we should do this."

He led her inside, to the middle of the mosaic. "When the time comes," he said. "We have to hold on to each other. Even if you think there's nothing to hold on to, there is; it's just changed for a time. I don't want to lose you between here and there. The In Ovo's no place to go wandering."

"You won't lose me," she said.

He went down on his haunches and dug into the mosaic, pulling from the pattern a dozen or so pieces of pyramidal stone the size of two fists, which had been so designed as to be virtually invisible when set in their places.

"I don't fully understand the mechanisms that carry us over," he said as he worked. "I'm not sure anybody does completely. But according to Peccable there's a sort of common language into which anybody can be translated. And all the processes of magic involve this translation."

He was laying the stones around the edge of the circle as he spoke, the arrangement seemingly arbitrary.

"Once matter and spirit are in the same language, one can influence the other in any number of ways. Flesh and bone can be transformed, transcended—" "Or transported?" "Exactly."

Jude remembered how the removal of a traveler from this world into another looked from the outside: the flesh folding upon itself, the body distorted out of all recognition.

"Does it hurt?" she said. "At the beginning, but not badly." "When will it begin?" she said. He stood up. "It already has," he said. She felt it, as he spoke: a pressure in her bowels and bladder, a tightness in her chest that made her catch her breath.

"Breathe slowly," he said, putting his palm against her breastbone. "Don't fight it. Just let it happen. There's no harm going to come to you."

She looked down at his hand, then beyond it to the circle that enclosed them, and out through the door of the Retreat to the sunlit grass that lay just a few paces from where she stood. Close as it was, she couldn't return there. The train she'd boarded was gathering speed around her. It was too late for doubts or second thoughts. She was trapped.

"It's all right," she heard Oscar say, but it didn't feel that way at all.

There was a pain in her belly so sharp it felt as though she'd been poisoned, and an ache in her head, and an itch too deep in her skin to be scratched. She looked at Oscar. Was he enduring the same discomforts? If so he was bearing them with remarkable fortitude, smiling at her like an anesthetist.

"It'll be over soon," he was saying. "Just hold on... it'll he over soon."

He drew her closer to him, and as he did so she felt a tingling pass through her cells, as though a rainstorm was breaking inside her, sluicing the pain away.

"Better?" he said, the word more shape than sound.

"Yes," she told him and, smiling, put her lips to his, closing her eyes with pleasure as their tongues touched.

The darkness behind her lids was suddenly brightened by gleaming lines, falling like meteors across her mind's eye. She lifted her lids again, but the spectacle came out of her skull, daubing Oscar's face with streaks of brightness. A dozen vivid hues picked out the furrows and creases of his skin; another dozen, the geology of bone beneath; and another, the lineaments of nerves and veins and vessels, to the tiniest detail. Then, as though the mind interpreting them had done with its literal translation and could now rise to poetry, the layered maps of his flesh simplified. Redundancies and repetitions were discarded, the forms that emerged so simple and so absolute that the matter they represented seemed wan by comparison, and receded before them. Seeing this show, she remembered the glyph she'd imagined when she and Oscar had first made love: the spiral and curve of her pleasure laid on the velvet behind her eyes. Here was the same process again, only the mind imagining them was the circle's mind, empowered by the stones and by the travelers' demand for passage.

A motion at the door distracted her gaze momentarily. The air around them was close to dropping its sham of sights altogether, and the scene beyond the circle was blurred. But there was enough color in the suit of the man at the threshold for her to know him even though she couldn't make out his face. Who else but Dowd wore that absurd shade of apricot? She said his name, and though she heard no sound from her throat, Oscar understood her alarm and turned towards the door.

Dowd was approaching the circle at speed, his intention perfectly clear: to hitch a ride to the Second Dominion. She'd seen the gruesome consequences of such interference before, on this very spot, and she braced herself against Oscar for the coming shock. Instead of trusting to the circle to dispatch the hanger-on, however, Oscar turned from her and went to strike Dowd. The circle's flux multiplied his violence tenfold, and the glyph of his body became an illegible scrawl, the colors dirtied in an instant. The pain she'd thought washed away swept back over her. Blood ran from her nose and into her open mouth. Her skin itched so violently she'd have brought blood to that too had the pain in her joints not kept her from moving.

She could make no sense of the scribble in front of her until her glance caught sight of Oscar's face, smeared and raw, screaming back at her as he toppled from the circle. She reached to haul him back, despite the searing pain her motion brought, and took hold of an arm, determined that wherever they were delivered, to Yzordderrex or death, they'd go there together. He returned her grasp, seizing her outstretched arms and dragging himself back onto the Express. As his face emerged from the blur beyond the smile she realized her error. It was Dowd she'd hauled aboard.

She let go of her hold, in revulsion more than rage. His face was horribly contorted, blood streaming from eyes, ears, and nose. But the mind of passage was already working on this fresh text, preparing to translate and transport it. She had no way of braking the process, and to leave the circle now would be certain suicide. Beyond it, the scene was blurred and darkening, but she caught sight of Oscar, rising from the ground, and thanked whatever deities protected these circles that he was at least alive. He was moving towards the circle again, she saw, as though to dare its flux a second time, but it seemed he judged the train to be moving too swiftly now, because he retreated, arms up over his face. Seconds later the whole scene disappeared, the sunlight at the threshold burning on for a heartbeat longer than the rest, then that too folding away into obscurity.

The only sight left to her now was the matrix of lines which were the translator's rendering of her fellow traveler, and though she despised him beyond words she kept her eyes fixed upon them, having no other point of reference. All bodily sensation had disappeared. She didn't know if she was floating, falling, or even breathing, though she suspected she was doing none of these things. She had become a sign, transmitted between Dominions, encoded in the mind of passage. The sight before her—Dowd's shimmering glyph—was not secured by sight but by thought, which was the only currency valid on this trip. And now, as if her powers to purchase were increasing with familiarity, the absence around her began to gain detail. The In Ovo, Oscar had called this place. Its darkness swelled in a million places, their skins stretching until they gleamed and split, glutinous forms breaking out and in their turn swelling and splitting, like fruit whose seeds were sown inside each other and nourished to corruption by their predecessors' decay. Repulsive as this was, there was worse to come, as new entities appeared, these no more than scraps from a cannibal's table, sucked bloodless and gnawed: idiot doodles of life that didn't bear translation into any material form. Primitive though they were, they sensed the presence of finished life forms in their midst and rose towards the travelers like the damned to passing angels. But they swarmed too late. The visitors moved on and away, the darknesses sealing up their tenants and receding.