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The Girl On The Half Shell

SUSAN WARD

Cover Design by Laura Shinn Designs

Copyright © 2014 Susan Ward

All rights reserved.

ISBN-10: 0615975925

ISBN-13: 978-0615975924

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Dedication

For my bugs

At eighteen I could not see the future. None of us can. What I didn’t know at eighteen is that none of us really see the present. It is full of random moments and others we think significant, but we can’t tell at the time, not really, which is which.

Table of Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

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About the Author

Chapter One

1989

 

People would have stared at my father even if he had not been famous. He is just that kind of man, but it has taken me until the age of eighteen to understand that. In my younger years, when I hated Jack in fleeting spurts, I thought fame was like a suit; he could take it off for me if he wanted to. Now I know better than to have childish expectations of what my father can or can’t do for me. Life with Jack is what it is. It is enough that he showed tonight, even if he did miss nearly the entire senior class spring recital.

I carefully conceal myself in the stage curtains as I watch Jack slipping into the auditorium and fading back into his customary seat in the far left corner. I can feel him in the darkened theater though I can only make out the hazy detail of his shape with my eyes.

Any other parent making that entrance would have had no impact on the audience. It is soundless. But my father is Jackson Parker, an icon of the sixties, forever part of the music and voice of a generation, and the entire chemistry of the room instantly alters.

Rene drops her chin on my shoulder as she stares out at the audience. “So, Jack did come,” she says. She frees my fingers from the shabby velvet and tosses a harsh glare at the curtains, their age-beaten elegance a thing she finds preposterous since the private Catholic boarding school we reside at costs a small fortune in tuition each year. The shabbiness of the facility she is certain is nothing more than deliberate proletarian punishment for children of non-proletarian families. “He said he would come and actually showed. Chalk one up for team Jack. That’s more than my dad ever does. Some girls just don’t know when they are lucky. It could be worse, Chrissie. Your dad could be my dad.”

Criticism with a joke chaser: a typical Rene-ism that might have made me laugh if it didn’t remind me that even Rene didn’t fully get me at times. In fairness, I don’t always get myself. I like my dad. I really do. Everyone likes Jack, but the first emotion I always feel when I see my father is an intense desperation for him to leave.

I brush at the little balls of dust on the formerly flawless black of my dress. “I should have practiced more.”

Rene gives me the look. “Practiced more? That’s all you’ve done since your audition for Juilliard was scheduled. You couldn’t have practiced more if you tried. Besides, I don’t think it’s possible for you to disappoint Jack.”

Another nails on the chalkboard moment: Jack. I hate when my friends call my dad Jack, the easy familiarity they manage with him when my own relationship with my father has never been anything close to easy.

As I wait for the music director to introduce me, icy nerve bands tighten my stomach. It is so stupid to want the floor to swallow me whole, but for some reason since scheduling my audition for Juilliard I have worked into my mind the notion that my future would be foretold by this performance. I’ve never known what I want to do with my life and the decision to audition for Juilliard seems the first decision I’ve made about who I am and who I want to be.

“Please, help me welcome our final performance tonight, our featured soloist, Miss Christian Parker, who we hope will soon depart us for Juilliard.” I nearly miss my introduction and, after hearing it, I wish I had. It seems an impossible to fulfill expectation since I know that my talent isn’t Juilliard gifted standard.

Focus. Sit on chair. Adjust instrument. Nod. Breathe, Chrissie, breathe. I start to move the bow and my fingers in a sheltering cocoon of Hayden’s Cello Concerto No. Two in D Major.

The music finishes and the music director comes to my chair offering his hand. I bow amid the thundering applause as Jack slips quietly from the theater before the ovation dies down. In and out of my world like a shooting star. This shooting star I know where to find next. It is a familiar routine to minimize the bullshit of other parents interfering in our father-daughter time. Exit scene left, reappear next scene in the privacy of my dorm room.

Backstage I start to carefully put my instrument into the case. Out of the corner of my eye I see the school’s three most popular girls closing in on me.

Crap, not Eliza and her mob. That’s the last thing I need tonight.

Eliza has that breezy confidence and overt sexuality of a girl who comes from money and knows she is pretty. Money somehow provides her a wash that her prettiness is more than it is, that she is more than she is, that she is somehow more in the room than anyone else could ever be. I am never in the room as much as Eliza is.

These girls are all from money, and they wear it like goddesses preparing for dazzling futures. Their confident prettiness makes me feel like there is something wrong with me. I never feel I fit with them.

It is Rene I identify more with, a girl genuinely suffering in her emotional convolution, no matter what she projects on the surface, no matter what people say about her. Still, it would be nice to know once what it felt like to be Eliza.

Her red, pouting lips curl into a cat-like smile directed at me. It should piss me off. It has the opposite effect: it diminishes me.

Eliza tosses her hair back over her shoulder, a signature move. “Hey, Parker, everyone is meeting up at Peppers and we’re having a party tonight. Sort of a kick-off before we all tailgate down to Palm Springs. Why don’t you come?”

Rene gives me a sharp look as if I need to be warned what they are up to. They are messing with me, obviously out for a little human sport tonight. Pick on the weak girl; make her feel inferior before going off for their super-duper plans. I hate this game, but even knowing they are messing with me I am stupidly flattered by the invitation.

I say nothing and Tami smiles at me. “We can pick you up at your house in about an hour. You are on your way home with Jack, aren’t you?”

The mention of Jack helps me find my voice. These girls are so obvious at times. How did they manage never to appear pathetic? They are still superior even in their obviousness.

“I can’t go. Rene and I are leaving early in the morning for New York,” I say.

“Ah, that’s right. You’re not off to Palm Springs with the rest of the seniors.” Eliza smirks.

“God no, we’re not off to Palm Springs. Why would anyone want to be anywhere you are?” Rene says.