"Not at all."—"That I can't conceive!
'Tis something of this sort I deem.
In the first place, say, am I right?
A Russian household simple quite,
Who welcome guests with zeal extreme,
Preserves and an eternal prattle
About the rain and flax and cattle."—
II
"No misery I see in that"—
"Boredom, my friend, behold the ill—"
"Your fashionable world I hate,
Domestic life attracts me still,
Where—"—"What! another eclogue spin?
For God's sake, Lenski, don't begin!
What! really going? 'Tis too bad!
But Lenski, I should be so glad
Would you to me this Phyllis show,
Fair source of every fine idea,
Verses and tears et cetera.
Present me."—"You are joking."—"No."—
"Delighted."—"When?"—"This very night.
They will receive us with delight."
III
Whilst homeward by the nearest route
Our heroes at full gallop sped,
Can we not stealthily make out
What they in conversation said?—
"How now, Oneguine, yawning still?"—
"'Tis habit, Lenski."—"Is your ill
More troublesome than usual?"—"No!
How dark the night is getting though!
Hallo, Andriushka, onward race!
The drive becomes monotonous—
Well! Larina appears to us
An ancient lady full of grace.—
That bilberry wine, I'm sore afraid,
The deuce with my inside has played."
IV
"Say, of the two which was Tattiana?"
"She who with melancholy face
And silent as the maid Svetlana(30)
Hard by the window took her place."—
"The younger, you're in love with her!"
"Well!"—"I the elder should prefer,
Were I like you a bard by trade—
In Olga's face no life's displayed.
'Tis a Madonna of Vandyk,
An oval countenance and pink,
Yon silly moon upon the brink
Of the horizon she is like!"—
Vladimir something curtly said
Nor further comment that night made.
[Note 30: "Svetlana," a short poem by Joukovski, upon which his fame mainly rests. Joukovski was an unblushing plagiarist. Many eminent English poets have been laid under contribution by him, often without going through the form of acknowledging the source of inspiration. Even the poem in question cannot be pronounced entirely original, though its intrinsic beauty is unquestionable. It undoubtedly owes its origin to Burger's poem "Leonora," which has found so many English translators. Not content with a single development of Burger's ghastly production the Russian poet has directly paraphrased "Leonora" under its own title, and also written a poem "Liudmila" in imitation of it. The principal outlines of these three poems are as follows: A maiden loses her lover in the wars; she murmurs at Providence and is vainly reproved for such blasphemy by her mother. Providence at length loses patience and sends her lover's spirit, to all appearances as if in the flesh, who induces the unfortunate maiden to elope. Instead of riding to a church or bridal chamber the unpleasant bridegroom resorts to the graveyard and repairs to his own grave, from which he has recently issued to execute his errand. It is a repulsive subject. "Svetlana," however, is more agreeable than its prototype "Leonora," inasmuch as the whole catastrophe turns out a dream brought on by "sorcery," during the "sviatki" or Holy Nights (see Canto V. st. x), and the dreamer awakes to hear the tinkling of her lover's sledge approaching. "Svetlana" has been translated by Sir John Bowring.]
V
Meantime Oneguine's apparition
At Larina's abode produced
Quite a sensation; the position
To all good neighbours' sport conduced.
Endless conjectures all propound
And secretly their views expound.
What jokes and guesses now abound,
A beau is for Tattiana found!
In fact, some people were assured
The wedding-day had been arranged,
But the date subsequently changed
Till proper rings could be procured.
On Lenski's matrimonial fate
They long ago had held debate.
VI
Of course Tattiana was annoyed
By such allusions scandalous,
Yet was her inmost soul o'erjoyed
With satisfaction marvellous,
As in her heart the thought sank home,
I am in love, my hour hath come!
Thus in the earth the seed expands
Obedient to warm Spring's commands.
Long time her young imagination
By indolence and languor fired
The fated nutriment desired;
And long internal agitation
Had filled her youthful breast with gloom,
She waited for—I don't know whom!
VII
The fatal hour had come at last—
She oped her eyes and cried: 'tis he!