Scott Lynch

The Lies of Locke Lamora

The first book in the Gentleman Bastard series, 2006

PROLOGUE. THE BOY WHO STOLE TOO MUCH

1

AT THE HEIGHT of the long wet summer of the Seventy-seventh Year of Sendovani, the Thiefmaker of Camorr paid a sudden and unannounced visit to the Eyeless Priest at the Temple of Perelandro, desperately hoping to sell him the Lamora boy.

“Have I got a deal for you!” the Thiefmaker began, perhaps inauspiciously.

“Another deal like Calo and Galdo, maybe?” said the Eyeless Priest.

“I’ve still got my hands full training those giggling idiots out of every bad habit they picked up from you and replacing them with the bad habits I need.”

“Now, Chains.” The Thiefmaker shrugged. “I told you they were shit-flinging little monkeys when we made the deal, and it was good enough for you at the-”

“Or maybe another deal like Sabetha?” The priest’s richer, deeper voice chased the Thiefmaker’s objection right back down his throat. “I’m sure you recall charging me everything but my dead mother’s kneecaps for her. I should’ve paid you in copper and watched you spring a rupture trying to haul it all away.”

“Ahhhhhh, but she was special, and this boy, he’s special, too,” said the Thiefmaker. “Everything you asked me to look for after I sold you Calo and Galdo. Everything you liked so much about Sabetha! He’s Camorri, but a mongrel. Therin and Vadran blood with neither dominant. He’s got larceny in his heart, sure as the sea’s full of fish piss. And I can even let you have him at a…a discount.”

The Eyeless Priest spent a long moment mulling this. “You’ll pardon me,” he finally said, “if the suggestion that the minuscule black turnip you call a heart is suddenly overflowing with generosity toward me leaves me wanting to arm myself and put my back against a wall.”

The Thiefmaker tried to let a vaguely sincere expression scurry onto his face, where it froze in evident discomfort. His shrug was theatrically casual. “There are, ah, problems with the boy, yes. But the problems are unique to his situation in my care. Were he under yours, I’m sure they would, ahhhh, vanish.”

“Oh. You have a magic boy. Why didn’t you say so?” The priest scratched his forehead beneath the white silk blindfold that covered his eyes. “Magnificent. I’ll plant him in the fucking ground and grow a vine to an enchanted land beyond the clouds.”

“Ahhhhh! I’ve tasted that flavor of sarcasm before, Chains.” The Thiefmaker gave an arthritic mock bow. “That’s the sort you spit out as a bargaining posture. Is it really so hard to say that you’re interested?”

The Eyeless Priest shrugged. “Suppose Calo, Galdo, and Sabetha might be able to use a new playmate, or at least a new punching bag. Suppose I’m willing to spend about three coppers and a bowl of piss for a mystery boy. But you’ll still need to convince me that you deserve the bowl of piss. What’s the boy’s problem?”

“His problem,” said the Thiefmaker, “is that if I can’t sell him to you, I’m going to have to slit his throat and throw him in the bay. And I’m going to have to do it tonight.”

2

ON THE night the Lamora boy had come to live under the Thiefmaker’s care, the old graveyard on Shades’ Hill had been full of children, standing at silent attention and waiting for their new brothers and sisters to be led down into the mausoleums.

The Thiefmaker’s wards all carried candles; their cold blue light shone through the silver curtains of river mist as streetlamps might glimmer through a smoke-grimed window. A chain of ghostlight wound its way down from the hilltop, through the stone markers and ceremonial paths, down to the wide glass bridge over the Coalsmoke Canal, half-visible in the blood-warm fog that seeps up from Camorr’s wet bones on summer nights.

“Come now, my loves, my jewels, my newlyfounds, keep the pace,” whispered the Thiefmaker as he nudged the last of the thirty or so Catchfire orphans over the Coalsmoke Bridge. “These lights are just your new friends, come to guide your way up my hill. Move now, my treasures. There’s darkness wasting, and we have so much to talk about.”

In rare moments of vain reflection, the Thiefmaker thought of himself as an artist. A sculptor, to be precise, with orphans as his clay and the old graveyard on Shades’ Hill as his studio.

Eighty-eight thousand souls generated a certain steady volume of waste; this waste included a constant trickle of lost, useless, and abandoned children. Slavers took some of them, hauling them off to Tal Verrar or the Jeremite Islands. Slavery was technically illegal in Camorr, of course, but the act of enslavement itself was winked at, if there was no one left to speak for the victim.

So, slavers got some, and plain stupidity took a few more. Starvation and the diseases it brought were also common ways to go, for those who lacked the courage or the skill to pluck a living from the city around them. And then, of course, those with courage but no skill often wound up swinging from the Black Bridge in front of the Palace of Patience. The duke’s magistrates disposed of little thieves with the same rope they used on bigger ones, though they did see to it that the little ones went over the side of the bridge with weights tied to their ankles to help them hang properly.

Any orphans left after dicing with all of those colorful possibilities were swept up by the Thiefmaker’s own crew, one at a time or in small, frightened groups. Soon enough they would learn what sort of life awaited them beneath the graveyard that was the heart of his realm, where seven score of cast-off children bent the knee to a single bent old man.

“Quick-step, my lovelies, my new sons and daughters; follow the line of lights and step to the top. We’re almost home, almost fed, almost washed up and bedded down. Out of the rain and the mist and the stinking heat.”

Plagues were a time of special opportunity for the Thiefmaker, and the Catchfire orphans had crawled away from his very favorite sort: Black Whisper. It fell on the Catchfire district from points unknown, and the quarantine had gone up (death by clothyard shaft for anyone trying to cross a canal or escape on a boat) in time to save the rest of the city from everything but unease and paranoia. Black Whisper meant a miserable death for anyone over the age of eleven or twelve (as near as physikers could figure, for the plague was not content to reap by overly firm rules) and a few days of harmless swollen eyes and red cheeks for anyone younger.

By the fifth day of the quarantine, there were no more screams and no more attempted canal crossings, so Catchfire evaded the namesake fate that had befallen it so many times before in years of pestilence. By the eleventh day, when the quarantine was lifted and the duke’s Ghouls went in to survey the mess, perhaps one in eight of the four hundred children previously living there had survived the wait. They had already formed gangs for mutual protection, and had learned certain cruel necessities of life without adults.

The Thiefmaker was waiting as they were corralled and led out from the sinister silence of their old neighborhood.

He paid good silver for the best thirty, and even more good silver for the silence of the Ghouls and constables he relieved of the children. Then he led them, dazed and hollow-cheeked and smelling like hell, into the dark steambath mists of the Camorri night, toward the old graveyard on Shades’ Hill.