Girlfriend in a Coma By Douglas Coupland

PART 1

1 ALL IDEAS ARE TRUE

I'm Jared, a ghost.

On Friday, October 14, 1978,1 was playing football with my high school team, the Sentinel Spartans. It was an away-game at another school, Handsworth, in North Vancouver. Early on in the game I was thrown a pass and as I turned to catch it I couldn't help noticing how clean and blue the sky was, like a freshly squeegeed window. At that point I blacked out. I apparently fumbled the pass and I have no memory of what happened afterward, but I did learn that the coaches canceled the game, which was dumb because we were cleaning up and for all anybody knew, it was probably just a severe relapse of mono from two years earlier.

But between that fumbled pass and a few hours later when I woke up in Lions Gate Hospital, I was diagnosed with leukemia—cancer of the bone marrow and hence the blood. Just three months later I died, on January 14, 1979. It was a lightning-speed progression for this particular disease. Before I died I lost all my hair and my skin turned the color of an unwashed white car. If I could do it all over again, I'd have hidden the mirrors from about Week Six onward.

My life was happy and full and short; Earth was kind to me and my bout with cancer was my Great Experience. Unless, of course, we include my sex binge with Cheryl Anderson the week her parents were renovating and the whole family moved into The Maples motel for five days. That aside, I believe that unless a person passes through some Great Experience, that person's life will have been for naught. Such an experience doesn't have to be explosive or murderous or include Cheryl Anderson; often a quiet life of loneliness can be its own Great Experience. And I will also say this: hospitals are girl magnets. My room there quickly became a veritable parade float of flowers, cookies, knit goods, and girls who had quite obviously (and fetchingly) spent hours grooming. Such is the demented nature of the universe that I was too weak to properly respond to my being hit on by carloads of Betties and Veronicas—all except for the cheeky Cheryl Anderson who gave me 'manual release' the day I lost my eyebrows, followed by a flood of tears and the snapping of Polaroids in which I wear a knit toque. Gush gush.

But back to right now—here, where I am, here at world's end.

Yes, the world is over. It's still here but it's … over. I'm at the end of the world. Dust in the wind. The end of the world as we know it. Just another brick in the wall. It sounds glamorous but it's not. It's dreary and quiet and the air always smells like there's a tire fire half a mile upwind.

Let me describe the real estate that remains one year after the world ended: It is above all a silent place with no engines or voices or music. Theater screens fray and unravel like overworn shirts. Endless cars and trucks and minivans sit on road shoulders harboring cargoes of rotted skeletons. Homes across the world collapse and fall inward on themselves; pianos, couches, and microwaves tumble through floors, exposing money and love notes hidden within the floorboards.Most foods and medicines have time-expired. The outer world is eroded by rain, and confused by lightning. Fires still burn, of course, and the weather now tends to extremes.

Suburban streets such as those where I grew up are dissolving inside rangy and shaggy overgrown plants; vines unfurl across roads now undriven by Camaros. Tennis rackets silently unstring inside dark dry closets. Ten million pictures fall from ten million walls; road signs blister and rust. Hungry dogs roam in packs.

To visit Earth now you would see thousands of years of grandeur and machinery all falling asleep. Cathedrals fall as readily as banks; car assembly lines as readily as supermarkets. Lightless sunken submarines lumber to the ocean's bottom to spend the next billion years collecting silt. In cities the snow sits unplowed; jukeboxes sit silent; chalkboards stand forever unerased. Computer databases lie untapped while power cables float from aluminum towers like long thin hairs.

But how did I end up here? And how long am I to stay here? To learn this, we need to learn about my friends. They were here, too—at the end of the world. This is the place my old friends came to inhabit as well—my friends who grew old while I got to remain forever young.

Question: would I do it the same way all over again? Absolutely— because I learned something along the way. Most people don't learn things along the way. Or if they do, they conveniently forget those things when it suits their need. Most people, given a second chance, fuck it up completely. It's one of those laws of the universe that you can't shake. People, I have noticed, only seem to learn once they get their third chance—after losing and wasting vast sums of time, money, youth, and energy—you name it. But still they learn, which is the better thing in the end.

So here follows the story of friends of mine who finally learned their lesson: Karen, Richard, Pam, Hamilton, Wendy, and Linus. Richard's the best talker of the group so in the beginning the story is mostly his. Karen would have been better but then Karen wasn't around Earth much in the beginning. C'est la vie. But then Richard'sstory only takes us so far. The story gets bigger than him. It includes them all. And in the end it becomes my story. But we'll get to that.

Destiny is what we work toward. The future doesn't exist yet. Fate is for losers.

18-25-32 …Hike!

2 EVERY IDEA IN THE WORLD IS WRONG

Karen and I deflowered each other atop Grouse Mountain, among the cedars beside a ski slope, atop crystal snow shards beneath pen-light stars. It was a December night so cold and clear that the air felt like the air of the Moon—lung-burning; mentholated and pure; a hint of ozone, zinc, ski wax, and Karen's strawberry shampoo.

Here is where I go back to the first small crack in the shell of time, to when I was happiest. Myself and the others, empty pagan teenagers lusting atop a black mountain overlooking a shimmering city below, a city so new that it dreamed only of what the embryo knows, a shimmering light of civil peace and hope for the future. Andthere I am now, up on that mountain: What did you see, Karen? Why weren't we allowed to know? Why you—why us?

That night—December 15, 1979—Karen had been so ravenous, demanding that we connect full-tilt. She said to me, "So, Richard, are we ever gonna do it or what?" She unzipped her bib overalls on a steep, breast-shaped mogul, then hauled me into the woods, where she yanked me down into the scraping snow, a snow too icy for snow angels. I felt so young, and she looked so mature. She pulled me with unfamiliar urgency, as though an invasion were about to occur that would send us off to war. And so there we lay, pumping like lions, the insides of our heads like hot slot machines clanging out silver dollars, rubies, and sugar candies. As if time was soon to end, what little time remained must be squandered quickly, savoring the delicate, fluttering pulses of cool, dry cherry blossoms passing back and forth between our bodies.

Afterward, cold snow trickled into our pants, then into our orifices, chilling and congealing those parts so recently warm while we zipped up and schussed down the ski runs to the chairlifts. "Hey, Richard, you pussy—it's a rat race!"

Karen and I were flushed, slightly embarrassed, processing all these new bodily sensations while feeling transformed—and then we rose up again, up the mountain on a bobbing chairlift that stalled halfway up the slope. And it was there that the arc lights also blinked, then skittered, then blackened. In the dark, Karen and I sat bouncing, stuck, suspended above raw nature, our faces blue jeans-blue from the Moon. Karen lit a Number 7 cigarette, her bony cheeks inflamed with blood, burning pink in the Bic lighter's heat, like a doll inside a burning doll house. My arm draped her shoulder; we both felt safe, as if we were a complete solar system unto ourselves, dangling in the sky, warm heated planets inside a universe of stars.